Toutes peintures ā l'huile d'Adam Elsheimer


ID Image Painting(From A to Z)    Details 
84075  
Adam  Elsheimer, Die Ausgrabung der Kreuze
 
 Die Ausgrabung der Kreuze   1603-1605 Medium Oil on copper Dimensions ca. 15 x 16 cm cyf
73523  
Adam  Elsheimer, Die Verspottung der Ceres
 
 Die Verspottung der Ceres   Date 17th century Medium Oil on copper Dimensions 30 x 25 cm cyf
40410  
Adam  Elsheimer, Flight into Egypt
 
 Flight into Egypt   mk156 1609 Oil on copper 31x41cm
81602  
Adam  Elsheimer, Flucht nach Agypten
 
 Flucht nach Agypten   1609 Medium Oil on copper Dimensions 31 x 42 cm cyf
45476  
Adam  Elsheimer, Jupiter and Merkur in Philemon and building c sharp
 
 Jupiter and Merkur in Philemon and building c sharp   mk186 around 1809/10 Dresden
82060  
Adam  Elsheimer, Landschaft mit badender Nymphe
 
 Landschaft mit badender Nymphe   ca. 1600(1600) Medium Oil on copper Dimensions 14 x 20 cm cyf
83035  
Adam  Elsheimer, Predigt Johannes des Taufers
 
 Predigt Johannes des Taufers   1600(1600) Medium Oil on copper Dimensions 39 x 55 cm (15.4 x 21.7 in) cyf
43137  
Adam  Elsheimer, The Baptism of Christ
 
 The Baptism of Christ   mk170 1598-1600 Oil on canvas 28.1x21cm
86605  
Adam  Elsheimer, The Flight into Egypt
 
 The Flight into Egypt   1609(1609) Medium Oil on copper cyf
55739  
Adam  Elsheimer, The Flight to Egypt
 
 The Flight to Egypt   mk244 1609 Oil on canvas 31x41cm
33617  
Adam  Elsheimer, The Glorification of the Cross
 
 The Glorification of the Cross   mk86 c.1605 Oil on copper 48.5x36cm Frankfut am Main Stadelsches Kunstinstitut
23286  
Adam  Elsheimer, The Stoning of Saint Stephen (nn03)
 
 The Stoning of Saint Stephen (nn03)   c 1602/5 Oil on copper 34.6 cm 13 5/8 x 11 1/4 in National Gallery of Scotland Edinburgh

Adam Elsheimer
1578-1610 German Adam Elsheimer Locations German painter, printmaker and draughtsman, active in Italy. His small paintings on copper established him after his brief life as the most singular and influential German artist to follow Derer. Their grand conception in terms of monumental figures and poetic landscape and their meticulous, miniature-like execution were admired by Rubens and came to influence many 17th-century artists, including Rembrandt. Most were produced in Rome after 1600: the limits of this oeuvre and its chronology are extremely hard to establish.



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